where my caucasians at?

Tim Blake

2009-10-26T10:49:00.000-07:00

New age synth maestro Tim Blake was at the heart of 1970's
electronic music. As
a member of Gong and Hawkwind we was a very
central force in establishing and defining the spaced
out, light show accompanying sounds of the era.

Check these album covers!

Peter Barbeau

2009-08-13T13:49:00.000-07:00

PETER BARBEAU TRIO
LIVE @ BOTTEGA
SAT AUG 1 2009
WILMINGTON, NC
(31minuntes 12seconds)

Peter has joined us on several occasions,
most recently at the WE Fest screening
of "use yr confusion" in may @ the soapbox,
downtown wilmington. His main influences
include the greats: Ornette Coleman, Pharoh
Sanders, Thelonious Monk and Eric Dolphy.
His trio band is an evolving mix of local and
visiting musicians covering the works of said
greats.

See his live perfoemances on his YouTube channel.

COLD VIDS

2009-06-03T10:21:00.000-07:00

FOOD WORLD present FOOD WORLD: The Film

2009-05-26T15:19:00.001-07:00

@ WE Fest 2009 > Sunday May 23rd>

FOOD WORLD @ WE Fest 2009 (320kbps MP3, 37MB)

Clang Quartet @ WE Fest 2009

2009-05-24T08:11:00.000-07:00

Clang Quartet Live @ WE Fest 2009

Neil Young's "Electronic" Album

2009-05-21T21:31:00.000-07:00

This near mythical, near electronic album by Neil Young sold about two copies in 1982. Why come? Considering most of his fans were dyed in the wool hippies, a "computer" music album understandably didn't gel with their freedom rock tastes. I've heard about this for awhile but only just came across it at another blog. Truth be told it's a pretty fun set of songs with a very heavy "Heavy Metal" (the sci fi fantasy movie) vibe to its synth laden guitar rock. Upon listening i am not sure i would agree with the theory that it was meant to act as a cautionary tale of modernity taking over. Naw. I read that was some sort of apologists response to the slagging it was taking at the time. I mean, listen to it. It sounds like the perfect soundtrack to a saturday night at the arcade in the roller rink circa, well, the year it can out, 1982. It sounds decidedly intentional. The cover art is straight out of, again, 1982. Despite the criticism and poor sales, the Rolling Stone review was quite generous in its awarding of 4 out of 5 stars.......

"Well, Mr. Weird is at it again" was one of the first reactions I heard to the synthesized sounds and Vocoderized vocals that typify a lot of the material on Neil Young's new album. Trans. With Young, one learns to expect the unexpected, but this record is as drastic a break from career form as David Bowie's kiss-off to his Thin White Duke persona with Low. And twice as surprising, too, because Young, despite his penchant for shifting gears from record to record, has always sunk his roots deep into the good earth, the fertile loam, of the American singer songwriter tradition. So, if Neil Young feels compelled to scramble his lyrics in computerized Morse code, running his voice through Vocoders and octave dividers, what are we to make of this brave new world that's overtaking us, turning our sturdiest songsmiths into computer clones? Has the ever-suggestible Young, in his zeal to escape the sad fate of those touring Tutankhamens (and former bandmates) Crosby, Stills and Nash, taken it too far this time?"

The review, available here, goes on to say how Young had been smitten by Kraftwerk at the time. Who wasn't? To be fair, about half of the album isnt really all that robotique... but that half would still fit in an early 80's arcade (or the mall scenes from Fast Times At Ridgemount High) with out missing a beat. I'm a sucker for a good vocoder vocal, and this album has plenty of them. Dig out the old 2600, pop in Frogger and press play. Enjoy.

NEIL YOUNG "TRANS"
Geffen Records, 1982

(In the interest of full disclosure, Alli doesn't like this album at all.)

Evan Parker is the SSSSHHHHHH.....

2009-05-21T01:00:00.000-07:00

EVAN PARKER
is a UK born avant garde saxophonist that DESTROYS his instrument, having been active in his field for the past 40 years I'm pretty sure he's always as mad as he looks in this picture. He's British. Check out his album below and vid and then go hint down more stuff by him and people he plays with.
It's also worth noting that the sounds he's making are done simply with his breath and fingers. No software or anything to plug into the wall. Brilliant! You might consider him an organic noise artist. Or not. But it is noisy.

Evan Parker "Monoceros"
Incus Records, 1978

Bete Tete @ D.I.Y. Wilmington House Show

2009-05-20T01:56:00.000-07:00

(Click on pic for better resolution)

2246 Washington Street
Wilmington, North Carolina
8:30 PM Tuesday May 19th

The first non song show I've seen Bete Tete play, and my favorite. I hope they do more instrumental sets as the evenings performance was a well paced wash of droning and evolving tones, easily recalling a more restrained Popol Vuh, Tangerine Dream or Emeralds. A happy surprise was seeing the ever capable Donovan Quixote sitting in with the band, coaxing a layer of warmth from his Moog Prodigy into the fray.

I can listen to improved , droney sound collaging like tonights set for hours. I hope it was recorded.

HEY HEY

2009-05-19T15:32:00.000-07:00

this is the caucasians music/noise/art group home blog, how about that?
this is where we talk about stuff we've done and stuff we like and junk.

like this:

AWESOME freejazz record from norway>

MZN3 "S/T"
Jazzaway Records, 2005

click on the link, its the whole album. enjoy it.
carl runs another blog called the static fanatic.
it;s full of interesting releases by noise artists.
mostly.